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Luxury or ceremonial wares that were originally made to reside in holy or other culturally significant edifices are also an influence. Such examples include Islamic metalwork and Chinese ritual bronze vessels that were made for and owned by royalty, religious leaders and other prominent persons. These historic ceramic and metal vessels that were used in a palace to celebrate an important occasion or in a temple to enhance the sacredness of a ceremony are referred to in my work. Rather than the specifics of rituals or ceremonies, I am intrigued with the sense of spirituality that my ewers, chalices, ceremonial jars, ritual bottles and vases embody.
I take advantage of clay’s ability to retain carefully defined and metal-like details while using luxurious metallic finishes that are only possible through the ceramic process. Glaze applied to these ceramic forms softens their details and smoothes their silhouettes. The use of crystal forming glazes and precious metal luster communicate the same degree of beauty and luxury as the referenced historical objects and emphasize the spiritual aspects of the work.